The 1920s saw the rapid proliferation of machines that dwarfed human power, such as automobiles and airplanes. Artists of the time, including Fernand Léger, Constantin Brancusi, and the Surrealists, variously praised or opposed this technological progress. In the context of today, with the “singularity” (the point where AI surpasses human intelligence) said to be approaching, this exhibition looks back at these artists’ reactions to the rise of the machines.

Art Deco, an iconic style of the 1920s, emerged from a mashup of diverse value systems, bringing together exoticism, classicism, and modernism. This exhibition focuses on the modernist aspect of multifaceted Art Deco through the lens of industrial technology and urban development. Decoration, previously regarded by modernists as excessive or extraneous, gained popularity as geometric forms evoked functionality and practicality in various design fields of the time, including architecture, furniture, and fashion.

The exhibition features works by Sugiura Hisui, a trailblazing Japanese graphic designer influenced by Art Deco, including his posters and magazine covers. It also examines modernism in Japan from the late Taisho (1912-1926) to the early Showa (1926-1989) eras through the works of remarkable avant-garde artists such as Koga Harue, who was inspired by Fernand Léger, and Kawabe Masahisa, who was captivated by the beauty of machines.

fter the end of First World War in 1918, industrial civilization advanced at breakneck speed through efforts to make daily life more convenient and comfortable. Notably, automobiles and airplanes became ever more commonplace and embodied the ethos of the Machine-age. Many artists and designers, believing technological progress would bring about a utopian era, incorporated mechanical motifs into their works.

In 1925, the International Exhibition of Modern Decorative and Industrial Arts (the world’s fair nicknamed the Art Deco Exhibition) was held in Paris, spotlighting cutting-edge trends of the day. The glass artist René Lalique designed hood ornaments for cars, interior décor suited to geometric architectural spaces, and perfume bottles. The artist and designer A. M. Cassandre created posters for ocean liners and railways featuring simplified forms and bold gradations. Artists exalted the beauty of machinery and industrial products, creating images that evoked a bright future.

Technological advancement also sparked resistance to modernization. In the 1910s the Dada movement, which radically rejected the conventional art world, arose in multiple Western cities. In 1924, André Breton published the Surrealist Manifesto and founded Surrealism, an art movement pursuing the “surreal” (lit. “above reality”) that could not be accessed through reason, which became a significant force from the late 1920s onward. Dadaism and Surrealism were critical of the rationalism that underpinned the Machine-age and its adherents devised objets, three-dimensional works foreign to both the functionality of machinery and conventional notions of beauty.

In Japan, modernization was turbocharged by reconstruction following the Great Kanto Earthquake of 1923. Sugiura Hisui, a pioneer of modern design in Japan, incorporated Art Deco after studying in Europe from 1923 to 1924, representing modern Tokyo with its office buildings and subways in crisp and dynamic designs.

This period also saw the emergence of avant-garde artists such as Koga Harue and Kawabe Masahisa. They introduced mechanical imagery into numerous paintings that intertwined the exuberance and the anxiety of the new era.

This exhibition showcases artists whose works explore “modern times” in our own time, addressing visual aspects of industrial civilization, robots, and the digital age. It features a video by Paris-based artist Mounir Fatmi with the theme of modernization in the Arab world, where he has roots, as well as futuristic sculptures by Sorayama Hajime, who creates robot-like human figures evoking a post-human world, and a three-meter-high lenticular work by Rafaël Rozendaal, who produces online NFTs (non-fungible tokens, i.e. one-of-a-kind digital artworks) that question the boundary between digital and physical.