EXHIBITION
8/10
2019
12/1
2019

Masterpieces from the Pola Museum of Art

2019.08.10 — 2019.12.01

Beautiful Harmony

The Pola Museum of Art has a large collection of paintings of the female figure dating from the latter half of the 19th century to the beginning of the 20th century. Renoir’s painting of a young girl portrays a dreamy expression and popular fashion of the time. Fujishima Takeji and Umehara Ryuzaburo, after returning from study in Europe, turned their attention to features of Japanese and Asian female beauty. Whether European or Asian, however, the female images and nudes emphasize graceful bodylines and soft skin.

 

Exploring the theme of ‘beauty,’ we have selected outstanding examples of distinctive portraits and cosmetic utensils from the Pola collection. We hope you will enjoy the harmony created in the depictions of the natural ‘beauty’ of the human body, of human facial expressions, and of fashion.

Pierre Auguste Renoir, Girl in a Lace Hat, 1891

Amedeo Modigliani,
Portrait of Lunia Czechowska, 1917

Okada Saburosuke, Kimono with Iris Pattern, 1927

Degas’s Ballet

This section features works on the subject of dance and ballet and, more broadly, the theme of physical expression of the human body.
Degas is closely associated with ballet paintings. He often visited the Opéra de Paris (Palais Garnier) and created many bold compositions based on his observations of the dancers on stage, in practice, and at rest. The illustrations for the book Degas Danse Dessin, based on Degas’s sketches of fleeting movements of dancers and nudes, reveal the artist’s interest in the beauty of the physical body. Degas’s expression of graceful female movements appear in his sculptures as well, and became an important subject for glassworks by Lalique and others.

Edgar Degas, In the Dance Foyer, ca. 1884

Edgar Degas, Spanish Dance,
ca. 1885-1890

Gabriel Argy-Rousseau,
Vase with Dance Design, 1923

A Symphony of Flowers

This section introduces paintings and glasswork depicting flowers.
A passion for gardening swept Europe in the latter half of the 19th century. For Emile Gallé, who observed many types of flowers that he himself cultivated, the subject of flowers was a life-long motif. He found and gave expression to the beauty of flowers in full bloom, but also that of flowers in stages of natural decay. Claude Monet, who created his own garden and lily pond at Giverny, tirelessly depicted the differing expressions, depending on the season and time of day, of the water lilies and the surface of the water.
In contrast Odilon Redon often depicted flowers not found in reality. His strangely shaped flowers might have green petals or pink leaves, or seem to defy gravity with floating extended stems and fantasy shapes.

Claude Monet, Water Lily Pond, 1899

Emile Gallé, Vase with Chrysanthemum Design, ca. 1900

Emile Gallé, Vase with Poppy Design, ca. 1900